Read e-book online A History of American Movies: A Film-by-Film Look at the PDF

By Paul Monaco

ISBN-10: 0810874342

ISBN-13: 9780810874343

A background of yank videos presents a survey of the narrative function movie from the Twenties to the current. The ebook makes a speciality of a hundred and seventy of the main very hot and famous characteristic movies chosen by way of the Hollywood institution: each one Oscar winner for top photo, in addition to these voted the best via participants of the yank movie Institute.

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Additional resources for A History of American Movies: A Film-by-Film Look at the Art, Craft, and Business of Cinema

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Subsequently, its iconic status translated into providing a model in movie history that led to productions by moviemakers as varied as Abbott and Costello, Andy Warhol, and Mel Brooks. Alongside Chaplin’s Little Tramp and the ape King Kong, the monster from Frankenstein became one of the most recognizable characters of the black-and-white era of the movies. In Universal’s 1935 sequel, The Bride of Frankenstein, Karloff and Clive repeated their roles under Whale’s direction. The Bride of Frankenstein is recognized by film critics and historians as an exception to the rule that movie sequels rarely equal or surpass the original.

Universal had a reputation as a tightfisted studio that specialized in churning out relatively low-budget genre movies. Nonetheless, on an impulse, the semiretired founder of the studio, Carl Laemmle, personally traveled to his native Germany to acquire the rights to this highly regarded literary work for screen adaptation. Written and published in Germany in 1927/28, the novel’s English translation had sold 300,000 copies in the United States in 1929 alone. 2 million. The younger Laemmle then hired veteran Lewis Milestone, who was widely respected by Hollywood peers and had already won one of the earliest Oscars given for Best Director, to direct the movie and engaged Arthur Edeson as the picture’s director of photography.

At the heart of doing that was seeing to it that the Hollywood system of movie production was based on a division of labor to assure the professional quality of production through specialization and expertise: directors directed, writers wrote photoplays, cinematographers did camera and lighting, editors edited, and so forth. Crafts personnel were in great demand, worked on long-term contracts, and were well paid. The major Hollywood studios built large factories in Southern California where they physically made movies, yet these factories did not really massproduce their product.

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A History of American Movies: A Film-by-Film Look at the Art, Craft, and Business of Cinema by Paul Monaco


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