By Jan Ozer
Adobe creation Studio incorporates a robust choice of purposes that permits videographers and visible results artists to create professional-quality paintings: Adobe finest seasoned for enhancing photos; Adobe After results for animation, complex titling, and results; Adobe Audition for recording and combining sound; Adobe Encore DVD for designing and engineering DVDs, and masses extra. yet one in every of its maximum strengths lies in its more desirable integration positive factors. if you happen to have already got a operating wisdom of electronic video and foremost professional yet are searhing for a greater solution to streamline your DV initiatives, Adobe electronic Video How-Tos: a hundred crucial thoughts with Adobe creation Studio may help you to extend your productiveness as you're employed. writer Jan Ozer presents greater than 100 crucial brief classes on bettering your DV productions with Adobe's built-in video purposes.
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Additional info for Adobe Digital Video How-Tos: 100 Essential Techniques with Adobe Production Studio
Yikes! Premiere Pro can't import any After Effects filters it doesn't share. 52 53 "docText">Sometimes you want to import a Premiere Pro project or sequence into After Effects for final tweaking and output. Here's how to do it. Overcoming Interapplication Incompatibilities Only the effects shared by After Effects and Premiere Pro will import with the project. If such critical incompatibilities affect your project, the most straightforward option is render a DVAVI file, import that into After Effects, and re-render to your final target output.
Open the Video Effects panel and you'll see the controls located in Figure 24b. Figure 24b. I usually end up going manually with this tool by deselecting the Auto Amounts box. 63 64 How to Toggle the Shadow/Highlight Effect on and off See the little f in a circle to the left of the Shadow/Highlight effect in Figure 24b? Click it to toggle the effect on and off in the Program Monitor to assess how well it's working. 4. To make manual adjustments (the effect defaults to Auto Amounts; I've deselected the box in the figure), use the slider bars below the Shadow Amount and Highlight Amount headings.
Overlay? Both? You can perform three-point editing using both insert and overlay editing, but for adding B-roll as I was doing, overlay is definitely the way to go. The sharp-eyed reader will also note that I've got the Toggle Take Audio and Video buttons in Figure 15a set to video only, since I don't want to overwrite the carefully captured audio, just the video. This is a perfect example of when you'd want to use this feature to isolate only the video portion of the clip in the Source Monitor.
Adobe Digital Video How-Tos: 100 Essential Techniques with Adobe Production Studio by Jan Ozer