By Ernest Mathijs, Xavier Mendik
This moment name within the AlterImage sequence that investigates formerly under-explored parts of renowned and cult cinema ( Underground U.S.A. being the 1st quantity) good points over 20 essays from an eclectic diversity of writers uncovering the cult cinema of Europe. The writers examine such strange and numerous themes as Russian horror cinema, British exploitation, Belgian replacement cinema and Black 'Emmanuelle' motion pictures. Alternative Europe additionally comprises particular interviews with such 'trash' movie administrators as Jess Fano and Brian Yuzna ( Reanimator, etc.).
thanks to psyko at CG
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Additional resources for Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 (Alterimage)
Bloody foreigners', a British Asian says of Queen Kong. ' At the same time, as Berenstein says, the black ape in films can be a figure of desire and envy for white men. King Kong, she argues, construed as a black man, is unsettling not least because 'apes and black men also signify all the white man imagines he is but should be, as well as all he believes white women desire and resemble'. Kong's strength, sexual potency (despite his invisible penis) and 9 hypermasculinity are, to the racist white imagination, threateningly desirable and 'manly' as much as they are repulsively ape-ish.
Following from that, however, when these films are placed within a cinematic historiographie context, a different discourse opens revealing how the Nazi sexploitation cinema engages with 3 the historical period it exploits. Omayra Cruz, one of the few scholars to have written on these films, notes: Although within the context of the Italian movie experience these films make perfect sense, a general outcry usually condemns them for commercialising and exploiting a 'serious' issue. H o w could anyone stoop so low as to bastardise the terror and tragedy of the Nazi experience for profit?
Hunter and colleagues at Northampton and Aberystwyth, the Network runs annual Day Schools at De Montfort University, Leicester, and will organise an international conference on Exploitation in 2007. Another major research project concerned with the study of cult, trash and alternative cinema is the Centre for Research into Extreme and Alternative Media ( C R E A M ) , located in the Department of Theatre, Film and Television Studies at the University of Wales, Aberystwyth. C R E A M functions 17 as a nodal point for the study of cult, trash and alternative cinema, as a site where original research into the area is being undertaken, and as a voice for scholarly intervention in public discourses around alternative media arts.
Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 (Alterimage) by Ernest Mathijs, Xavier Mendik