By Mr. Massimo Cacciari, Mr. Stephen Sartarelli
Massimo Cacciari, essentially the most influential social philosophers in Italy at the present time, is the founding father of the fashion of feedback often called "negative suggestion" that makes a speciality of the failure of conventional common sense to explicate the issues of modernity. This booklet, which introduces his writings to an English-speaking viewers, presents a awesome social and philosophical account of the twentieth-century city. Patrizia Lombardo's vast advent situates Cacciari's concept in the milieu of Italian political activism and philosophy among the Sixties and the Eighties, from his collaboration at the leftist magazine Contropiano to his lengthy organization with Manfredo Tafuri.
Cacciari experiences the relation among philosophy and smooth structure and applies the deliberating avant-garde architects, artists, and writers to the social and political difficulties raised via technological society. He starts off via defining the fashionable city, utilizing the phrases and ideas of Georg Simmel and Max Weber, yet revealing the place their frameworks are constrained. He then examines the paintings of Adolf bogs and different architects and architects in early twentieth-century Vienna, displaying how their structure and feedback disclose the alienation and utopianism in notions of the natural urban. Cacciari demonstrates how structure intersects with the town and the kingdom but in addition with the internal of the non-public residing and with its resistance to the exterior international. Bringing jointly philosophy, sociology, urbanism, hard work background, economics, and aesthetics, he is helping us understand through those disciplines a very important interval within the background of modernity.
"An impressive unique paintings of scholarship and polemic."—John Paul Russo, college of Miami
"Cacciari techniques his 'mission to demystify' with an beautiful combination of stern sobriety and tentative delicacy."—Philip Tabor, Architectural Review
"An unique presentation which not just illuminates the narrative of recent structure and making plans yet, much more importantly, serves as an indication of a really highbrow architectural discourse."—Thomas A. Markus, occasions greater schooling complement
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Extra info for Architecture and Nihilism: On the Philosophy of Modern Architecture
Jameson, who criticized Tafuri for his "stark and absolute position," proposed a position that "may be called neo-Gramscian," 38 recalling "the 'organic' formulations" of the classical Marxian text. " 39 But Jameson prefers to read Tafuri within the frame of mind of what I would call a general history of Marxist thought, not within the frame of mind of Introduction xxxiii a theory of the Metropolis, which I consider the indispensable perspective for approaching both Tafuri and Cacciari. The theory of the Metropolis uproots any organic nature, any humus, any belonging, just as architectural theory, as developed at the University of Venice Department of Critical and Histori cal Analysis, breaks through comfortable divisions of disciplines and habits of thought.
It would be enough to think of "Eupalinos and Archi tecture," where Cacciari follows and interprets in the light of the theory of the Metropolis the Heideggerian interrogation on dwelling and building. In this Heideggerian sense, it would be logical to, associate Cacciari and Derrida. But one should always keep in mind a major difference, not of philosophy, but of temperament (using Baudelaire's term for painters), which places Cacciari within a Catholic culture and the political activism I discussed above.
The churches of San Lorenzo and Santo Spirito and the dome of Santa Maria de! Fiore are "autonomous and absolute" 57 architectural objects that break the order of the medieval city. But the shock is not simply provided by Brunelleschi, as if Tafuri were moving from a historicistic analysis to a formalist linguistic approach. The shock is produced by the double move ment of dehistoricization offered by Brunelleschi's symbolic system as well as by what Tafuri calls "the philological rehabili tation" of Alberti's De re aedificatoria.
Architecture and Nihilism: On the Philosophy of Modern Architecture by Mr. Massimo Cacciari, Mr. Stephen Sartarelli